Carolina in the Morning on the ocarina

On a 12-hole it starts G, E, G, E. Medium, 145 notes, in C major.

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Goes up to high D, so it does not fit a 4-hole.

Carolina in the Morning

Bar 1 of 32

G
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What are the notes for Carolina in the Morning?

On a 12-hole. Read left to right, a line at a time.

  1. GEGEGEGE
    GEGEGEGE
    G(hold)F♯G
    F
  2. AFAFAFAF
    AFAFAFAF
    A(hold)G♯A
    G
  3. ABhigh CA
    GE
    ABhigh CA
    G
  4. F♯GA♭A(hold)B♭
    Tricky spot:Bhigh D
    high Chigh Dhigh CB(hold)B
    G
  5. GEGEGEGE
    GEGEGEGE
    G(hold)F♯G
    F
  6. AFAFAFAF
    AFAFAFAF
    A(hold)G♯A
    G
  7. high CGAGhigh CGAG
    high CAGC(hold)
    high CAG♯AB
    high CAhigh CB(hold)
  8. GEGEABAA♭
    GEGEABhigh CA
    high D(hold)high C♯high D
    high Crest

Carolina in the Morning is a 1922 song whose chorus runs on one rhythm: a long note and a short one, four pairs to a bar, G, E, G, E over and over. Here is the chorus in C major, the key it was printed in, 32 bars from low C to high D, so it plays on a 12-hole or a 6-hole ocarina but not on a 4-hole.

Carolina in the Morning ocarina tabs for a 12-hole ocarina: the fingering for each note, then the letter notes bar by bar
Carolina in the Morning as one picture, with the tabs for a 12-hole, to save to your phone. Open the picture

What is the tricky spot in Carolina in the Morning?

The climb in the middle of the chorus: F#, G, A flat, A, B flat, B one after another, then the leap from that B up to a long high D. On a 12-hole, Carolina in the Morning goes from B to high D: you lift the left index and left thumb. On a 6-hole, you lift the right middle and right thumb.

Three of the six climbing notes, F#, A flat and B flat, are sharps or flats a C ocarina reaches with cross-fingerings, so play the climb slowly on its own until each finger change is clean, then bring it up to speed. Give the high D a little more air than the B before it. Near the end the tune holds a low C, then jumps an octave to high C: let the low C go a moment early, breathe, and aim the high C with firmer air. In the dotted bars keep the short note light and late, so the line swings instead of running even.

Where do you breathe in Carolina in the Morning?

After the whole note that ends each four-bar line, after the long E and the high D in the middle section, and after the held low C and the held B near the end. The last four bars play through to the final C.

Which ocarina can play Carolina in the Morning?

A 4-hole ocarina cannot reach high C♯ and high D, so play Carolina in the Morning in this key on a 12-hole or 6-hole ocarina in C. On an ocarina in G or F, use the same fingerings: the tune sounds in a different key, which is fine when you play alone. Each linked chart has every fingering for its ocarina, and you can check your notes with a tuner such as our free ocarina tuner.

The 13 notes here, on a 12-holeHoles in words, with a picture
NoteHoles to coverPicture
GCover every main hole but the right index, right middle, right ring and right pinky
ECover every main hole but the right ring and right pinky
F♯Cover every main hole but the right index, right middle and right pinky
FCover every main hole but the right middle, right ring and right pinky
ACover the left pinky, left middle, left index, left thumb and right thumb
G♯Cover every main hole but the left ring, right index, right middle and right pinky
BCover the left pinky, left index, left thumb and right thumb
high CCover the left pinky, left thumb and right thumb
A♭Cover every main hole but the left ring, right index, right middle and right pinky
B♭Cover the left pinky, left index, right ring, left thumb and right thumb
high DCover the left pinky and right thumb
CCover every main hole
high C♯Cover the left pinky, right ring and right thumb

Drawn as you see it while playing: mouthpiece towards you, left hand on the left.

Who wrote Carolina in the Morning?

Walter Donaldson wrote the music and Gus Kahn the words, as Wikipedia's article on the song and the 1922 printing both say. Our tabs follow the 1922 sheet music from Jerome H. Remick & Co. of New York and Detroit, a copy in the Lester S. Levy Collection at Johns Hopkins, which prints the song in C major in cut time, marked Moderato. It opens with a 12-bar verse, then a 32-bar chorus with two endings and a D.C. back to the verse; we give the chorus once, closing on the second ending, in C major as printed. We show the melody only. Music: Walter Donaldson, the music; lyric by Gus Kahn.

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