O Come, O Come, Emmanuel on the ocarina

On a 12-hole it starts D, F, A, A. Medium, 59 notes, in D minor.

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O Come, O Come, Emmanuel

Bar 1 of 37

D
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What are the notes for O Come, O Come, Emmanuel?

On a 12-hole. Read left to right, a line at a time.

  1. D FA
    AA
    GB♭
    AG
  2. F
    (hold)G
    AF
    DF
  3. GE
    DC
    D
    (hold)G
  4. GD
    DE
    F
    ED
  5. C
    (hold)F
    GA
    AA
  6. GB♭
    AG
    F
    Tricky spot:(hold)high C
  7. high C
    (hold)A
    A
    (hold)A
  8. GB♭
    AG
    FG
    AF
  9. DF
    GE
    DC
    D
  10. (hold)

O Come, O Come, Emmanuel moves like a slow chant: almost every note is the same length, and most lines end on a note held for three beats. Here it is in D minor, between C and high C, with B♭ as its one flat, so a 12-hole, a 6-hole and a 4-hole ocarina in C can play it. The refrain closes with the verse's second line, note for note.

O Come, O Come, Emmanuel ocarina tabs for a 12-hole ocarina: the fingering for each note, then the letter notes bar by bar
O Come, O Come, Emmanuel as one picture, with the tabs for a 12-hole, to save to your phone. Open the picture

What is the tricky spot in O Come, O Come, Emmanuel?

The start of the refrain, where the long F at the end of the fourth line jumps up a fifth to high C for "Rejoice". On a 12-hole, O Come, O Come, Emmanuel goes from F to high C: you lift the left ring, left middle, left index and right index. On a 6-hole or 4-hole, you lift the left middle and left index.

Play F, then high C, slowly, until the C speaks cleanly on its first breath; it is the highest note in the hymn and needs a firmer, faster stream of air than the F (more on breath). The C is then held for three beats and drops to A, which is also held: keep the air steady through both, so the pitch does not sag. The other place to practise is G, B♭, A, G, which comes three times. B♭ is a cross-fingering on a 12-hole, so learn it on its own and then play A, B♭, A until it sits in tune.

Where do you breathe in O Come, O Come, Emmanuel?

On every long note. Most lines end on a note held for three beats, then one short note starts the next line, so take your breath at the end of the long note. The refrain's two held notes, high C and then A, come one after the other; if you need air there, breathe between them.

Which ocarina can play O Come, O Come, Emmanuel?

Any 12-hole, 6-hole or 4-hole ocarina in C plays O Come, O Come, Emmanuel in this key. On an ocarina in G or F, use the same fingerings: the tune sounds in a different key, which is fine when you play alone. Each linked chart has every fingering for its ocarina, and you can check your notes with a tuner such as our free ocarina tuner.

The 8 notes here, on a 12-holeHoles in words, with a picture
NoteHoles to coverPicture
DCover every main hole but the right pinky
FCover every main hole but the right middle, right ring and right pinky
ACover the left pinky, left middle, left index, left thumb and right thumb
GCover every main hole but the right index, right middle, right ring and right pinky
B♭Cover the left pinky, left index, right ring, left thumb and right thumb
ECover every main hole but the right ring and right pinky
CCover every main hole
high CCover the left pinky, left thumb and right thumb

Drawn as you see it while playing: mouthpiece towards you, left hand on the left.

Is O Come, O Come, Emmanuel a medieval tune?

Probably, though for over a century no one could show it. The choirmaster Thomas Helmore first set these words to it in 1851, with John Mason Neale's translation of the Latin hymn, and named a French missal in Lisbon as his source, but gave no way to check it. Then in 1966 Mary Berry found the melody in a 15th-century French manuscript, with other words. Our tabs follow Hymns Ancient and Modern, 1861, which prints the tune in long half notes with no time signature; we halve them and count the tune in twos. Helmore died in 1890 and Neale in 1866. We show the melody only. Music: the tune Veni Emmanuel, first set to these words by Thomas Helmore (1811-1890) in 1851; words translated by John Mason Neale (1818-1866).

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